IL LEE is celebrated for his pioneering work with ballpoint pen that began nearly 40 years ago and continues today. In his recent acrylic and oil works on canvas, Il Lee offers a counterpoint to his well-known ballpoint pen work and continues his early investigations of materials and process that began decades ago. Lee’s oeuvre offers a great breadth of approaches and media as he investigates drawing, the negative and its positive, line and form and of what is rendered and what is there but not rendered. Lee’s monolithic focus has created a universe at once cohesive and yet still expanding in all directions.
Critically acclaimed and widely exhibited, Il Lee’s acrylic and oil on canvas work and his ballpoint pen work on paper were exhibited at The Metropolitan Museum of Art, New York, in 2010-11. Il Lee’s innovative and historically grounded ballpoint pen works were the subject of a mid-career retrospective at the San Jose Museum of Art and solo exhibitions at the Queens Museum of Art, the Vilcek Foundation in New York, and the Crow Collection of Asian Art in Dallas, Texas. His work has been exhibited at numerous museums, including The Aldrich Contemporary Art Museum, Brooklyn Museum, Smithsonian Museum of Art, Palms Springs Art Museum, Arkansas Arts Center, and National Museum of Contemporary Art, Korea.
Works by Il Lee are represented in major collections including The Metropolitan Museum of Art, San Jose Museum of Art, Vilcek Foundation, Palm Springs Art Museum, Minneapolis Institute of Art (promised), Société Bic (France), Leeum Samsung Museum of Art (Seoul), and National Museum of Modern and Contemporary Art Korea, among others. Reviews and feature articles about Il Lee have appeared in major international publications including the New York Times, New Yorker, Artnews, Art in America, Art Asia Pacific, San Francisco Chronicle and Newsweek.
Il Lee is featured in The Metropolitan Museum of Art’s The Artist Project, an online video series exploring the museum’s collection, as well as in the book The Artist Project: What Artists See When They Look at Art, published by Phaidon, London (2017).
Born in 1952 in Seoul, Korea, Il Lee studied painting in the 1970s with seminal figures of South Korean contemporary art, including those in the vanguard of the abstract monochrome painting movement (Dansaekhwa). In 1977, Il Lee moved to New York City where he developed his signature process and style using ballpoint pen, a medium important to his practice for nearly four decades.
“In many ways, Lee is a godfather of ballpoint art. Along with Alighiero Boetti and Jan Fabre, he was one of the first artists to dedicate years of his life to the intense study of ballpoint as an art-making device…” –Trent Morse, Ballpoint Art, Laurence King Publishing, London, 2016.
An 80-page, fully-illustrated catalogue was published on the occasion of a major survey
IL LEE: New Printings/40 Years in New York.
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