Art Projects International

Mariano Ferrante
Monocromo

Mariano Ferrante, Monocromo N26/21, 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N26/21 (detail), 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N37/21, 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N37/21 (detail), 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Installation view of Monocromo N19/17 and Monocromo N24/21

Mariano Ferrante, Monocromo N17/20, 2020, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N24/21, 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N29/18, 2018, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N39/21, 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N39/21 (detail), 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N38/21, 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Mariano Ferrante, Monocromo N38/21 (detail), 2021, acrylic on canvas, 35 x 35 inches (88.9 x 88.9 cm)

Installation view of Monocromo N40/21

Mariano Ferrante, Monocromo N40/21, 2021, acrylic on canvas, 72 x 72 inches (182.9 x 182.9 cm)

Mariano Ferrante, Monocromo N40/21 (detail), 2021, acrylic on canvas, 72 x 72 inches (182.9 x 182.9 cm)

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Art Projects International is pleased to present Monocromo, paintings by Mariano Ferrante. The exhibition focuses on Ferrante’s works from the last two years and presents paintings of complex two-dimensional structures that reveal themselves as monochromes when viewed from a distance.

The exhibition marks the first time Ferrante’s Monocromo series are seen together and includes a large-scale work dating from 2017 when Ferrante began to explore the possibilities of this series. As Ferrante describes, “Monocromo includes acrylic paintings, rigorous constructions made up of 6mm lines that form a pattern.” Despite the apparent perfection of his designs, all the work is done by hand, as Ferrante emphasizes, “subtle alterations, apparent mistakes, are actually carefully thought decisions that expose the human trace.”

Monocromo No. 37/21, for example, looks an even shade of blue when reproduced as a small picture or when viewed from afar. But, in fact, it is not a single-color work. The work is created from the juxtaposition of four different colored lines (yellow, light blue, dark blue, and teal) which intersect in such a way as to create discrete parallelograms of color that then function much like the red, green, and blue pixels of your phone screen in creating a color that is only present in your brain.

As our eyes and brains are not up to the task of processing the Monocromos‘ complex patterns and their deviations, at certain distances, moiré patterns begin to appear while our minds not only combine colors but work to make sense of Ferrante’s subtly shifting inventions. The artist seems to be proposing that the monochrome as a singularity does not exist. In addition, Ferrante’s complex process is not intended to be reverse engineered from any trick-of-the-eye pattern, but he invites the viewer to join him as he expands his own painting practice and explores the limits of perception and the artist’s ability to create meaning through artifice.

Mariano Ferrante (b. 1974, Bahía Blanca, Argentina) lives and works in Buenos Aires, Argentina. His richly colored works, often dense with lines and non-repeating patterns, come out of a conversation with the constructivist, concrete, and neo-concrete art movements as they were manifested in Latin America. He has had solo exhibitions and commissions in leading cultural institutions in Buenos Aires including Fundación PROA, Centro Cultural de España, and Centro Cultural Recoleta. His work has also been shown at the National Museum of Fine Arts (MNBA), Buenos Aires; Museum of Modern Art of Buenos Aires (MAMBA); and Museum of Contemporary Art of Buenos Aires (MACBA). He is also well known for engaging audiences and communities beyond museums and galleries, and has created numerous public commissions and site-specific works in transit hubs and landmark buildings. Recent site-specific commissions include: Monocromía en cuatro colores Nro 2 at Centro Cultural Córdoba, Argentina (2021); Polyphony of Four Colors at Sala de Camara at Usina del Arte, Buenos Aires (2020); Transformations N1/2019 at Madison Avenue Presbyterian Church Day School, New York (2019); and Cosmorama 2009/2015 at Belgrano Subway Station, E line, Buenos Aires (2015). His work is represented in major collections including the Museum of Contemporary Art of Buenos Aires (MACBA); Francis J. Greenburger Collection, New York; Montefiore Fine Art Collection, New York; and Union Industrial Argentina, Buenos Aires.

For additional images and to arrange your visit, please contact api@artprojects.com or 212-343-2599.

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